BIRGIT COMPTON - WEDDINGS
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The medium shot of the upper back
gives a good impression of the shape
of the neckline and the accompanying
border of roses, matching front and
back. The buttons, fastened here,
completely conceal the zip. Also, the
frills of soft white lace over the
shoulders are clearly shown. The
vertical detailing of the bodice, front
and back, is narrow strips of white
lace.
The second, closer picture, gives a
good impression of how from the
roses that decorate the rear
waistline, the waterfall train begins
and forms several tiers of cascading
soft white lace leading to a very full
and lengthy train. No nonsense with
detachable trains here. This train is
full, voluminous and an integral,
important features of this dress.
Once worn, this train ensures the
dress, although light and
comfortable, constantly reminds the
wearer that this is no ordinary
garment to be worn on any normal,
but only by a bride or her wedding
day, (or anyone lucky enough to own
such a garment for their own
fetishistic purposes !). Would it make
you too jealous if we were to tell you
that no only do we own Charlene’s
fantastic pale pink version of this
dress, but that we also own exactly
the same model of dress, brand new,
in a size 12 and ivory ! We are lucky
people indeed.
gives a good impression of the shape
of the neckline and the accompanying
border of roses, matching front and
back. The buttons, fastened here,
completely conceal the zip. Also, the
frills of soft white lace over the
shoulders are clearly shown. The
vertical detailing of the bodice, front
and back, is narrow strips of white
lace.
The second, closer picture, gives a
good impression of how from the
roses that decorate the rear
waistline, the waterfall train begins
and forms several tiers of cascading
soft white lace leading to a very full
and lengthy train. No nonsense with
detachable trains here. This train is
full, voluminous and an integral,
important features of this dress.
Once worn, this train ensures the
dress, although light and
comfortable, constantly reminds the
wearer that this is no ordinary
garment to be worn on any normal,
but only by a bride or her wedding
day, (or anyone lucky enough to own
such a garment for their own
fetishistic purposes !). Would it make
you too jealous if we were to tell you
that no only do we own Charlene’s
fantastic pale pink version of this
dress, but that we also own exactly
the same model of dress, brand new,
in a size 12 and ivory ! We are lucky
people indeed.
And of course we couldn't go without showing you
Charlene's cute died-to-match pink satin finish bridal
boots, in a UK size 5.
We wonder at what stage in the evening's proceedings did
Charlene take these off - did she perhaps remove her
wedding dress first and then keep these on in bed as she
kicked and squealed during her opening bout of
matrimonial romping ?
The toes are a little scuffed, but we assume that was
sustained during the photo shoot by the lake.
Charlene's cute died-to-match pink satin finish bridal
boots, in a UK size 5.
We wonder at what stage in the evening's proceedings did
Charlene take these off - did she perhaps remove her
wedding dress first and then keep these on in bed as she
kicked and squealed during her opening bout of
matrimonial romping ?
The toes are a little scuffed, but we assume that was
sustained during the photo shoot by the lake.
Double-click for the full sized pictures, as always.